Elvis For Everyone (OEPFC)

www.elvisforeveryone.co.uk
www.elviskingtinued..co.uk

  

T H E   B L O N D E L L /T C B  C O N C E R T- FRIDAY 22ND JULY 2005

 

Sat in the north—west of the UK is a small town called Blackpool.

It is popularly known as the Vegas of the North-and is home to many venues and the entertainers that work in them. It was here that one of the greatest bands in the world and one of the best known vocalists - plus a brand new entertainer decided to put on one of the biggest shows to hit Blackpool ever.  The venue-where else would you play in the North-but a working men’s club-one of the biggest though with seating for over 500. Myself and Jim Santana arrived earlier in the day to meet the band at the Carousel hotel prior to the show.  The idea to bring big name acts to Blackpool was the concept of Jim O’ Neale  ( full time promoter and main agent for Blondell) and a mysterious Dutchman known only as Tex.

Hopefully this show will be just the start of many more to hit the town.  We were lucky enough to be invited to travel to the show on the tour bus with the band-so at 7.45pm we set off for the club.

When we arrived we found that the show was a complete sell out-and even then people kept turning up trying to book tickets for the next show. Jim and I were shown to our seats and sat back to watch the show.

On this special evening, soul star Percy Sledge had been flown in to open the show. And what an opening! The room erupted when he hit the stage and they had to settle back down again before he could start. He opened with My Special Prayer-a song that has gone Gold  3 times over in Holland.  This first song was greeted with  a massive round of applause. He quickly followed with Cover Me With Love and then he took time out to thank all the people in the audience and the UK for helping to vote him in to the rock and Roll Hall of Fame. Highlights of the show included My Girl, Sitting on the Dock of The Bay-an amazing version of A Whiter Shade of Pale-and through to the finale which could only be ‘When A Man Loves A Woman’ which brought the house down. His wife ( who had dueted with him on Wrap you in my warm and tender love) came back on stage and Percy thanked the audience and promised to come back later in the year to do his own tour.

So, after a 10 minute break, it was time for the main event. The band swung into action with the appropriate ‘Ole Time Rock and Roll’ and onto the stage stepped Mr. Ray Blondell. Tall, handsome and unassuming, dressed in a black suit, he stepped up to the mike and we were away.

This first song was well received and the band went straight in to Proud Mary. Everybody was singing and clapping to this-but to be fair how could you fail with the best acts in the business providing the music. After a quick introduction Ray dedicated the next song (Hot Legs) to all the Scots in the audience (over a 100 of them had come down on the package deal).  A few songs later and we got an original song -written by Blondell and orchestrated by James Burton— I’ll be There to Catch You When You Fall’. A real country ballad and suited his voice to a T. This was followed by another original ‘I’m a Rock and Roller’ which was about Elvis and Jerry Lee-and for an original song it got a fantastic reception.

  

Highlights of the first half included ‘Walk a Mile In My Shoes’ You Gave Me a Mountain’ and ‘Bridge Over Troubled Water’ Then while Ray took a quick break and a costume change –The Sweet Inspirations took centre stage with their song ‘Sweet Inspiration’ and the ladies showed that they can still whip up a storm.

Drinks replenished we settled down for the second half. This time Ray came on in a sparkly white suit-which looked much better as I felt the black suit got a  bit lost against the darkish backdrop in the first half. A song that Elvis never performed live—Way Down-kicked off the set, and it was like the first set had just been a warm up. James Burton was amazing to watch close up, but special mention must be made of his son Jeff Burton who kept the rhythm guitar pounding away throughout the show and he looked like he was enjoying himself as much as we were. The show itself is not meant to be a full on Elvis Tribute, but more a package to show what Ray Blondell and the TCB can deliver, and deliver they did. Always On My Mind was  followed up by a blistering version of ‘Suspicious Minds’ with Blondell taking time out to do the ‘shaking shoulders’ move at the climax of the song.  Then, just when you thought this couldn’t be topped, they came out with one of the best versions ever of ‘Great Balls of Fire’ .

 

Ray joined Glen. D. Hardin on the piano-albeit only with his right leg-and the whole song was as manic and reminiscent of the great Jerry Lee as it could be without setting fire to the piano!

The show finished with the classic ‘If I Can Dream’ and the audience gave the band and Blondell their 5th standing ovation of the evening. But it still wasn’t over, as after the show, the band came down amongst the audience to sign autographs and pose for pictures. To meet legends like Jim Horn, Shane Kiester, Paul Leim and the Sweets face to face was as important to the audience as the performance itself.  Our night was made doubly special when just before he left Percy presented Jim and I with an expensive bottle of Grand Marnier brandy-which he had had a small nip of to clear his throat-and then left the rest. This show is a must see event-so if you get the chance-go and see it.

   

    

TRACK  LISTINGS FOR THE SHOW.

 

PERCY SLEDGE.

 

1. My Special Prayer

2. Cover me with love

3. Take time to know her

4. My Girl

5. Wrap you in my warm and tender love

6. Bring it on home to Me

7. How sweet it is to be loved by You.

8. Sitting on the Dock of the Bay

9. A Whiter Shade of Pale

10. Knock On wood

11. When a man loves a Woman.

 

Blondell and TCB Band

1 Give me That ole Time Rock and Roll

2. Proud Mary

3. Hot legs

4. Just cant help believing

5.I ll be there to catch you when you fall.

6, I’m a Rock and  Roller.

7. You’ve lost that Loving Feeling

8 Walk a Mile in My Shoes.

9. Never Give up on a dream.

10. Honky tonk Woman

11. You Gave me a Mountain

12 In The Ghetto

13. It’s All Over Now

14. Bridge Over Troubled Water

15. Sweet Inspiration

16. Way Down

17. Always On My Mind / Words

18 Suspicious Minds

19. Great balls of Fire

20 Lawdy Miss Clawdy.

21. Johnny B. Goode/You are My Sunshine/ That’s alright Mama/ Whole Lotta  Shakin’  MEDLEY

22. If I Can Dream.

Review by Eddie Vee 

for Elvis For Everyone 

 

*****************************************************************************************************  

The Return of the King : an Elvis novel
Our price: $16.95
Format: Paperback
Size : 6 x 9
Pages: 248
ISBN: 0-595-33155-6
Published: Dec-2004
                    

Mystery, magic and mythology collide as Elvis returns from exile to Hawaii, only to find himself confronted by an ageless menace bent on destroying humankind…
Book Description
It is the spring of 1977, and a bloated, disillusioned Elvis stands at the crossroads. To continue down the path he is on means certain death. However, a bizarre encounter with a mysterious woman offers him another alternative.
With her help, he fakes his death and goes into solitary exile in the South Pacific with a new face and a new identity.
Now, twenty-seven years later, the king returns.Lured back by memories of a lost romance that took place during the filming of one of his forgettable early sixties films, Elvis finds himself back on Hawaii’s Big Island. Incognito, he settles in the tiny, remote fishing village of Malea where he meets the town kahuna, O’e, and his family.But all is not well in paradise.
Three village teenagers go missing. O’e and Elvis teem up to try to find them. What they discover is that an ancient evil has taken root near the village which threatens not only the island but the future of all humankind.Compelled to help in whatever way he can, Elvis must risk his cherished anonymity in a desperate bid to thwart a formidable, virtually indestructible opponent…
“A page-turner…perfect summer reading.”—Tara Fraser, author of Rocket Eighty-Eight.

“Inspired. An island mystery that rocks!”—Marshall Stack, author of Gunburn.

“Exciting…poignant…gratifying…”—Samantha Keyes, author of Island Fever.
The book can also be ordered through any bookstore in the US or on-line at any of the usual sites: amazon.com, barnesandnoble.com, etc.

******************************************************
     

The Memphis Lullaby”

“The Memphis Lullaby” play script paints an intimate portrait of Elvis Presley’s journey from Tupelo to Memphis, told through monologue, music and film while commemorating his life and career.

It is 10 August 1977, Elvis Presley sits in his living room at Graceland. He has decided it is time to write his memoirs and intends to call the book ‘Through My Eyes by Elvis Presley’. Through monologue with musical interludes, he reflects on his life, from humble beginnings in Tupelo, Mississippi, through his rise to stardom and how he became the man the world called ‘The King.’ The story imagines Elvis as he reminisces recalls anecdotes and touches the truth in his own words, about the man, the myths and the music - transcribed from recordings of radio interviews, press conferences, concerts, and from his handwritten notes. As we walk with Elvis on his nostalgic journey we glimpse the man behind the King while the final acts use words and visual art to eulogize the artist and the legacy.


“The Memphis Lullaby” presents the story of Elvis Presley’s life from a different perspective…his own.


“The Memphis Lullaby”

Presley: His poetry, his philosophy, his passions, his pain.

Reviews about this Book
 

‘Linda Ann, thanks for allowing me to read your impressive manuscript, “The Memphis Lullaby.” I was very touched reading it. I feel that Elvis fans and people everywhere will appreciate and enjoy it as much as I did. “The Memphis Lullaby” gives an insight into Elvis’ life in a beautiful way. I hope this venture turns out the way you want. I think it will. TLC. ’
Larry Geller , Elvis friend, hairstylist and spiritual advisor.  

‘Congratulations! You have done a magnificent job with this and I am VERY proud of you! “The Memphis Lullaby” provides a fresh and unique view of the Elvis Presley story. It is certain to be a favourite among Presley fans and Pop Culture lovers alike. A brilliant work, Linda Ann!’
Jerry Osborne, Author and Publisher.  

‘It is clearly an act of love, a charming portrait of ‘The King.’
Jeremy Raison, Director, The Citizens Theatre, Glasgow. 

‘Very clever.’
David Neale, Author and Journalist. 

‘The Memphis Lullaby is a rarity in the Elvis world - a play in 5 acts about the King of Rock 'n' Roll. What makes The Memphis Lullaby even more unusual is that the play is performed in the first person, with Elvis looking back at his incredible life story six days before his untimely death on 16 August 1977.
Acts 1 and 2 are Elvis telling his life story. Act 3 is presented as a voiceover while the final two acts (particularly impressive) are presented as "films" with visual and audio cues.

Linda Ann McConnell is to be congratulated on writing a touching script which vividly brings to life the Elvis story, and importantly does so from Elvis' perspective, not that of a third party. It is obvious just how much thought and planning Linda Ann McConnell put in to her work. The robust narrative, the important final acts that occur shortly after Elvis' death and the evocative imagery - these all function synergistically to fully engage the reader/viewer. Throughout the play, Ms McConnell also closely captures the essence of who Elvis was, including his vocal mannerisms.

The Memphis Lullaby is a fresh and powerful release that offers an intimate look at the Elvis story from 'a different point of view'. The play is one that will please many fans.’
Nigel Patterson, President, Elvis Information Network Australia. 

‘The Memphis Lullaby is an ambitious monologue: a warm and touching account of Elvis’ life, with shades of comedy.’
Neil Coull, Traverse Theatre, Edinburgh. 

‘Love the book. Reflects well on the author as well as the subject.’
Jaeson Finn, Freelance artist. 

‘I enjoyed reading this play enormously. It is entirely different from anything else I have read about Elvis. I liked the unique approach. I would love to see it in a theatre - could be very dramatic and moving. I think the author did an outstanding job on this play.’
Jean Donovan, Editor - Elvis Memphis Style/Graceland’s Rising Sun - Two clubs working together for Elvis - USA 

‘Linda Ann McConnell dug into the archives to tell the story the way it is. Well, our man actually has something to tell in this book which is actually a play script. The play is set a few days before Elvis death, August 10, 1977. Elvis decided it is time to put down his memoirs. The way the set is described and the instructions for the actor are part of the text we can really picture it in front of us. Set in several rooms in Graceland, Elvis tells the story of his life. The way the story is told you can almost see Elvis sitting on his sofa or bed and reminiscing about the good and bad times, listening to some of his records and celebrating some of the achievements of career. The final act is told by a voice over with visual and audio cues celebrating Elvis’ immense achievements. Our conclusion is simple, it would be fun to see this play on an actual stage. The play deserves that, and the story would come across much better when it is told to the reader.’
ElvisNews.com, The Netherlands.  

‘At last a book and a play from a genuine Elvis fan that I know comes from the heart of the author. “The Memphis Lullaby” is a very intelligent, unique and thoughtful interpretation which uses colour, objectivity and compassion to illustrate the man, the myths and the music, the man behind the King. The play has been extensively researched and by using Elvis quotes has captured the beauty, honesty and grace of the man. Any written art can be thought provoking or inspiring, this play gives a chance to explore and understand Elvis, even perhaps to change people’s minds about things. If Elvis Presley were alive today he would have endorsed this book and been proud of this work because it tells his story in his own words for the first time. Elvis’ worst fear was that he would be forgotten by everyone. By giving us the “Memphis Lullaby” Elvis will be remembered with respect and will never be forgotten.’
Paul Downie P.R. The Elvis Touch Fan Club Glasgow. 

"The Memphis Lullaby" brings you an "Elvis" with a twist. When you read the "play" format used by the playwright you can’t help but get caught up in each chapter or "scene" and envision in your mind Elvis reading his life story and describing life "Through His Eyes" Well done Linda Ann. Glad to be a part of your book.’
Bob Klein, Photographer, TCBphotos.com/TCB photo archives. 

‘As a monologue by Elvis himself the play gives a very different take on the whole Presley legend when compared to the many other forms that have been presented over the past 27 years - e.g. books, television, and documentaries. The idea of Elvis's story in the first person is a very good one. I admire how the author has combined actual quotes from the 1950's and 1970's, giving them a then-contemporary touch. She has also effectively interspersed other quotes giving it an impression of 1977 quotation. It is obvious that the author spent quite some considerable time researching and working on this project.’
Gerry McLafferty, President of the Elvis Presley Film Society and author of the books Elvis Presley in Hollywood: Celluloid Sell-Out & Elvis Presley: The Power and the Persecution. 

‘The Memphis Lullaby is superb and I would 100% recommend this book. The author/playwright has written the book as a monologue, entirely in Elvis's own words which really brought to us the essence of Elvis. It’s as if Elvis is speaking to you straight from the heart. I can absolutely picture him sitting on the couch in the Graceland sitting room telling his story. I thought this book was excellent, intensely moving and insightful. It is a truly unique, memorable read and I know Elvis would have approved of it.’
Lillian Cumming, The Elvis Touch Fan Club, Glasgow. 

‘This is a superb, unique idea, the spoken words of Elvis himself transcribed into a play telling his own story. I felt transported to Graceland as the scene descriptions and his every move portrayed seemed so accurate. More works like this for Elvis fans written by a fan would be such an advantage in ‘The Elvis World.' The dedication, attention to detail and hard work are to be admired. I expect the author found it a 'labour of love' writing about such an eminent person as Elvis. I wish Linda Ann McConnell every success for the future, very well done.’
Heather Paterson Author, 'A Little Bit of Elvis'. 

‘I think the real Elvis fans will understand and applaud the respectful way Linda Ann McConnell treated this from start to finish. Honestly, when you read it you can feel Elvis hovering in between the lines. Well researched, well constructed, well written and well done.’
Thomas McGarvey, Singer/Performer. 

‘I don't really know anything about Elvis (or rather, I didn't until now!) but I enjoyed the book both as a piece of drama and as a biography. I liked the way actual quotes had been used to form the monologue, as opposed to putting words in Elvis's mouth. A lot of biopic movies I've seen don't really get inside the "protagonist's" skin, which is surely why we want to see their story, but the way the author/playwright has written this play, it almost seems like a documentary. Except not quite, because authentic as the words may be, they all come from the same person. It almost doesn't matter, though, that we never hear the viewpoint of anyone else in his life, because the sheer power of hearing Elvis telling us about his life is enough. I think this is what makes it effective and compelling - not only does it tell a story, but you're hearing the man talk. I know I've never seen an interview or heard Elvis Presley just talk!’
Andrew Gunn, Film Director. 

‘Only Elvis can tell his story and unfortunately he's not around to tell it, enter Elvis fan Linda Ann McConnell who’s thoroughly and professionally researched manuscript taken from a wealth of interviews and sources is as close as you’re ever going to get.’
Robert Fields, Promoter /Manager. 

‘I really enjoyed this book/play, as it’s basically a compilation of actual quotes by Elvis himself, its very well put together, chronologically etc. It is the nearest we'll ever get to an autobiography. To criticize this book would be to criticize Elvis himself.’
Hugh Reed, Singer. 

‘“The Memphis Lullaby” is a beautifully written, well-researched and emotionally moving story of Elvis Presley as told in monologue by the artist. Scripted in the format of a one-person play, the text is dramatically developed so that the reader is able to vividly visualize its staging. Author, Linda Ann McConnell, opens the door to an interesting insight of the spiritually and humility of the artist and the reality of his being.’
Bea Fogelman, published author and Director of The Entertainment Network, Las Vegas, Nevada, USA. 

‘Linda Ann McConnell’s play script, The Memphis Lullaby is something out of the ordinary. It is Elvis’ life story told from an unusual angle - that of the star himself, as in August, 1977 ensconced in Graceland, he decided to “tell it like it is”, talking into a tape recorder as he moves around either the living room or his bedroom.

What the author has done, and quite cleverly, too, is to take many authentic audio quotes from Elvis and weave them into what is essentially a very long monologue in the plays first two acts. I liked the way she has collected together quotes from different years on any one particular subject and combined them into one piece of dialogue. It works well. Elvis was pretty consistent in his thoughts, views and feelings over the years. The way she takes her character through each act is well thought out, as he stops to reflect about something, or moves around the room, or plays discs that have special significance, and so on. A full description of how each set would be dressed or what Elvis is wearing helps you to visualize everything. The various stage lighting effects indicated add an extra dimension to your visualization.

In general the research has been done well. There are some printing errors which don’t generally detract from the play. There are some major bloopers including it being 25,000 miles from Graceland to Hollywood. But it seems churlish to overly criticize what is essentially a compassionate and often moving script. Acts 1 and 2 form the bulk of the script, and the final part of Act 2 is particularly moving. Act 3 takes place after August 16 and comprises a brief 2 –scene audiovisual presentation of a very sad time: the events surrounding Elvis death and his funeral.

Act 4 is a well thought out documentary with an audio visual presentation overview of Elvis amazing achievements and record-breaking feats. I really enjoyed this and apparently an actual documentary is on the cards. I hope that this is so. It would open a lot of peoples eyes to just how much Elvis achieved and how he has influenced popular music over the past fifty years. I found ‘The Memphis Lullaby’ to be a very interesting and unusual tribute to Elvis.’
Anne E. Nixon. Author of "Elvis, Ten Years After." 
http://www.thememphislullaby.com/contact.htm

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